Look at this artwork by Paul Klee, 1922, titled “Senecio”
Identify at least 3 principles of design you see.
Discuss how they impact the artwork.

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no

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a goldfish

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Um goldfish right Um nah sorry don't have one

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draw a mushroom that looks like ur art teacher or something

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True

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omg i thinks it adorable!!!!

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its so sweet and cute omg i love it

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That's the sweetest and most adorable thing I have seen all day!

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It looks so lovely I think you did a great job on that drawing! I really like the way you drew him a little fuzzy for the feathers!

Sincerely,

Dragon

The number of people taking up the sport of running has increased significantly over the last 10 years. Sports experts give many reasons for the rise in the popularity of running. Because many people want to save money, they are avoiding paying fitness center dues and choosing instead to pound the pavement in running shoes and clothing, which are relatively inexpensive. Creative racing opportunities are also a draw for new runners. For example, adventure runs offer participants a chance to run through mud or outdistance zombies. Basically, running offers a new way to have fun while sweating.

Answer:

The number of people taking up the sport of running has increased significantly over the last 10 years. Sports experts give many reasons for the rise in the popularity of running. Because many people want to save money, they are avoiding paying fitness center dues and choosing instead to pound the pavement in running shoes and clothing, which are relatively inexpensive. Creative racing opportunities are also a draw for new runners. For example, adventure runs offer participants a chance to run through mud or outdistance zombies. Basically, running offers a new way to have fun while sweating.

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B

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I love you, will you marry me. it is just the name of the song

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See answer below in explanation

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A subculture is a cultural group within a larger culture, often having different beliefs or interests than the larger group. It is important to enjoy the music rather than focus on the fashion because it allows you to look at the subculture with a more objective perspective and avoid bias.

sorry if this isnt helpful, im going off my own interpretation!

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In the Interpretation section it is appropriate to share your thoughts of what you think works and what doesn't work in the artwork. Eg. Do the colours fit, What can be added and Does the title fit?

Hope that helps. x

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you answered that one yourself, good job

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The recommendation for moderate-intensity aerobic physical activity throughout the week is 2 hours and 30 minutes.

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Answer: Did you make this? If you did it looks great! You"ll just get better and better from this one-

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it seem like hes me when im doing homework

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aquí están las respuestas

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Answer: sorry. i just need points!

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Tenor

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Sorry if I'm wrong

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Explanation:

FORMAL ANALYSIS

-Four levels of formal analysis, which you can use to explain a work of art:

1. Description = pure description of the object without value judgments,

analysis, or interpretation.

· It answers the question, "What do you see?"

· The various elements that constitute a description include:

a. Form of art whether architecture, sculpture, painting or one of the minor arts

b. Medium of work whether clay, stone, steel, paint, etc., and technique (tools used)

c. Size and scale of work (relationship to person and/or frame and/or context)

d. Elements or general shapes (architectural structural system) within the composition, including building of post-lintel construction or painting with several figures lined up in a row; identification of objects

e. Description of axis whether vertical, diagonal, horizontal, etc.

f. Description of line, including contour as soft, planar, jagged, etc.

g. Description of how line describes shape and space (volume); distinguish between lines of objects and lines of composition, e.g., thick, thin, variable, irregular, intermittent, indistinct, etc.

h. Relationships between shapes, e.g., large and small, overlapping, etc.

i. Description of color and color scheme = palette

j. Texture of surface or other comments about execution of work

k. Context of object: original location and date

2. Analysis = determining what the features suggest and deciding why the artist used such features to convey specific ideas.

· It answers the question, "How did the artist do it?"

· The various elements that constitute analysis include:

a. Determination of subject matter through naming iconographic elements, e.g., historical event, allegory, mythology, etc.

b. Selection of most distinctive features or characteristics whether line, shape, color, texture, etc.

c. Analysis of the principles of design or composition, e.g., stable,

repetitious, rhythmic, unified, symmetrical, harmonious, geometric, varied, chaotic, horizontal or vertically oriented, etc.

d. Discussion of how elements or structural system contribute to appearance of image or function

e. Analysis of use of light and role of color, e.g., contrasty, shadowy,

illogical, warm, cool, symbolic, etc.

f. Treatment of space and landscape, both real and illusionary (including use of perspective), e.g., compact, deep, shallow, naturalistic, random

g. Portrayal of movement and how it is achieved

h. Effect of particular medium(s) used

i. Your perceptions of balance, proportion and scale (relationships of each part of the composition to the whole and to each other part) and your emotional

j. Reaction to object or monument

3. Interpretation = establishing the broader context for this type of art.

· It answers the question, "Why did the artist create it and what does it mean

· The various elements that constitute interpretation include:

a. Main idea, overall meaning of the work.

b. Interpretive Statement: Can I express what I think the artwork is about in one sentence?

c. Evidence: What evidence inside or outside the artwork supports my interpretation?

4. Judgment: Judging a piece of work means giving it rank in relation to other works and of course considering a very important aspect of the visual arts; its originality.

· Is it a good artwork?

· Criteria: What criteria do I think are most appropriate for judging the artwork?

· Evidence: What evidence inside or outside the artwork relates to each criterion?

· Judgment: Based on the criteria and evidence, what is my judgment about the quality of the artwork?

Barrett's Principles of Interpretation

1. Artworks have "aboutness" and demand interpretation.

2. Interpretations are persuasive arguments.

3. Some interpretations are better than others.

4. Good interpretations of art tell more about the artwork than they tell about the critic.

5. Feelings are guides to interpretations.

6. There can be different, competing, and contradictory interpretations of the same artwork.

7. Interpretations are often based on a worldview.

8. Interpretations are not so much absolutely right, but more or less reasonable, convincing, enlightening, and informative.

9. Interpretations can be judged by coherence, correspondence, and inclusiveness.

10. An artwork is not necessarily about what the artist wanted it to be about.

11. A critic ought not to be the spokesperson for the artist.

12. Interpretations ought to present the work in its best rather than its weakest light.

13. The objects of interpretation are artworks, not artists.

14. All art is in part about the world in which it emerged.

15. All art is in part about other art.

16. No single interpretation is exhaustive of the meaning of an artwork.

17. The meanings of an artwork may be different from its significance to the viewer. Interpretation is ultimately a communal endeavor, and the community is ultimately self- corrective.

18. Good interpretations invite us to see for ourselves and to continue on our own.